Toaru Majutsu no Index: New Testament -
Volume 5, Afterword
Volume 5, Afterword
To those who have bought each novel one at a time, it’s been a while. To those who bought them all at once, welcome.
This is Kamachi Kazuma.
This is the fifth volume of the New Testament series. This volume is a story about the Ichihanaransai that has only ever been mentioned in the past. Gremlin, Imagine Breaker, how Ollerus and Othinus relate to each other, and more. This one has pieces of explanations about a lot of the major themes of New Testament.
After his bitter experiences in Hawaii and Baggage City, this volume has Kamijou Touma standing in a position where he wants to trust people but cannot blindly trust people. Ollerus, Birdway, and Thor. There are plenty of people nearby he could ask to explain the situation to him, but he has now realized simply listening to what they say is not enough.
When faced with the question of what to do about people who do not bring their honest beliefs into play and instead calmly deceive him, Kamijou has chosen to deceive them right back.
If he can succeed in that, I get the feeling he will have taken another step in his growth as a person. But these are people who standard methods never seem to work on. Will they really allow that boy’s growth to proceed quite so easily?
I give my thanks to my illustrator Haimura-san and my editor Miki-san. The festival preparations meant there were a lot of construction tools and pieces of plywood lying around, so that theme must have been a lot of trouble with all the small details in the background and the difficult atmosphere to express. I am thankful as always.
And I give my thanks to the readers. What did you think of having the story back in Academy City for the first time in a while and having a school event featuring as one of the themes? I hope you will stick around for the next volume as well.
It is time to close the pages for now while praying that the pages of the next book will be opened.
And I lay my pen down for now.
By the way, do not forget that a main theme was seen in the prologue.
-Kamachi Kazuma
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